Omnisphere Demo: “Nevelig”
A quick demo I whipped up using Spectrasonics’ new Omnisphere instrument, the successor to Atmosphere, with an incredibly broadened palette.
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A quick demo I whipped up using Spectrasonics’ new Omnisphere instrument, the successor to Atmosphere, with an incredibly broadened palette.
Podcast: Play in new window | Download

(Parts in concert pitch)
Currently in the middle of a major part-writing fiesta with the strings in the 5th Movt. of the symphony.
And so it goes …
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Alexander Borodin
Had my symphony described to me as being “like Borodin on acid.” “What was that? It was like Borodin on acid.” I like that. Who wouldn’t like that?
A chemical which, if ingested by Borodin's music, could conceivably alter said music in such a manner that it thereafter sounded something like my symphony, according to the referenced source.
Here’s an excerpt from Symphony #1, Movt. 5. This excerpt begins about 13 minutes into the movement.
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Here’s an excerpt from Symphony #1, Movt. 3. This excerpt begins about 4 minutes into the movement.
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Patch, a short film by Chris Romero. More info here.
Plugging away at notating an hour’s worth of some pretty layered and complex orchestration. Quite the project, moving along. To think this ball started rolling in July ‘07.
Strongly emotive full-scale symphonic work in 5 movements, 61 mins.:
The symphony is on a grand scale, more than leaning toward the heroic, featuring enlarged percussion and brass sections and piano.
The Scherzo is the symphony’s light comic relief, and can function by itself as a standalone piece. Hear it below (two other clips can be heard here and here):
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Provided music for Shopping For Trouble, a film by Seth Berg, “ringmaster” of the Telluride Film Festival.
Big orchestra, big intervals, culminating in a big filmic finish. Instrumentation includes alpenhorns and bowed vibraphone. EWQL SO Gold XP, EWQL RA, Vienna Instruments Solo and Orchestral Strings, Vienna Horizon Mallets, Vienna Horizon FX Percussion.
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